In the finale, Jennifer Coolidge‘s character went viral for all the reasons you’d expect, but there was surprisingly not much music in those tense action scenes aboard the yacht. The composer thus created a score full of “playfulness” that felt “lighthearted.” He explains, “ wanted something different, and he spoke to me about feeling like these people are mice going around, which somehow dictated how I was even playing the keyboard, because I did some piano music that feels like a musical box or something that you play with just two fingers.” In one of the more revealing parts of our webchat, de Veer confesses that showrunner Mike White wanted the background music “to feel like mice” for the second season. Murray Abraham (‘The White Lotus’) jumps up to 3rd place in Emmy odds So it is just crazy how something becomes alive and it goes in its own path, opening doors and connecting with people.” “And now it’s being arranged for Pride in London, and it’s gonna be this orchestral thing. Somewhere along the long, the Sicily club theme “became an anthem for gay people,” the composer explains. So at some point I tried a version, which is this version … and I was really happy when I did it.” When the producers heard the updated anthem, “They all loved it,” he confirmed. Speaking about the main titles, which had a bit of an Italian-style revamp for Season 2, de Veer reveals, “At first, I was not supposed to be on the second season because I had lots of projects going on, and they asked me if I could at least do the theme. SEE The Coolidge-aissance continues: Jennifer Coolidge named Comedic Genius at MTV Movie and TV Awards The Emmys night was something I’m gonna remember.” Don’t forget, Emmy voters, this year “The White Lotus” is shifting from the limited series categories to the drama series categories. “I’ve never won the lottery,” de Veer tells us, “but it feels to me like it must be something like that, or better than the lottery.
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